Born in St. Louis, MO, 1956
Currently resides in Los Angeles, CA
Education
Yale University, MFA., Photography 1982
Pomona
College, BA 1979
Solo Exhibitions
Vector Portraits, Angles Gallery, Los Angeles, CA, 2002
Prop Portraits, Society for Contemporary Photography, Kansas City, MO, 2001
Prop Portraits, Julie Saul Gallery, New York, NY, 2000
Envelopes, Robert Klein, Boston, MA, 1998
Fifteen Year Survey, Julie Saul Gallery, New York, NY, 1998
Envelopes, Jackson Fine Art, Atlanta, GA, 1998
Portraits--Business Cards, Julie Saul Gallery, New York, NY, 1996
Envelopes, Angles
Gallery, Santa Monica, CA, 1995
Envelopes, Julie Saul Gallery, New York, NY, 1995-94
Bonnettstown, California Center for the Arts, Escondido, CA 1993
Envelopes, Fraenkel Gallery, San Francisco, CA, 1993
Vector Portraits, Lieberman & Saul Gallery, New York, NY, 1992
Vector Portraits, Department of Motor Vechicle Buildings, Los Angeles,
CA, 1992-91
Bonnettstown, Glen/Dash Gallery, Los Angeles, CA , 1991
Bonnettstown, Blue Sky Gallery, Portland, OR, 1990
Bonnettstown, Chenango Council of the Arts, Norwich, CT, 1990
Bonnettstown, Roger Ramsey Gallery, Chicago, IL, 1990
Bonnettstown, Greenberg Gallery, St. Louis, MO, 1986
Bonnettstown, Lieberman & Saul Gallery, New York, NY, 1986
Group Exhibitions
Poul Kjaerholm and Selected Art Works, Sean Kelly Gallery, NYC, NY, 2004
Surrounding
Interiors: Views Inside the Car,
Davis Museum and Cultural Center, Wellesley, MA, 2002
Ich
Bin Mein Auto: Die Maschinalen Ebenbilder der Menschen, Statlich
Kunsthalle, Baden-Baden, 2002
Text/Textile: Words and Weaving in Contemporary Art, Deutsche Bank Lobby Gallery, West 52nd St., NYC, NY, 2002
Sand/Pavement: Beach Photographs/Car Culture, Nassau Community College, Firehouse Art Gallery, Garden City, NY, 2001
Reconsidering
the Renaissance, Bridgewater/Lustberg & Blumenfeld, New York, NY, 2001
Avant-Premiere 6, Galerie Claude Samuel, Paris, FR, 2001
Show
Me the Money - the Dollar as Art, Trust for Museum Exhibitions, 2001
Photography Now: An International Survey of Contemporary Photography, The Contemporary Arts Center, New Orleans, LA 2000
Rearview Mirror: Automobile Images and American Identities, California Museum of Photography, University of California. Riverside, 2000.
SoCal Car Culture, The Irvine Fine Arts Center, Irvine, CA 2000
Breathless! - Photography and Time, The Canon
Photography Gallery at the V&A, London, UK, 2000
MoneyMaking:
the Fine Art of Currency at the Millenium, Federal Reserve, Washington, D.C., 2000
Summer Reading, Yancey Richardson Gallery, New York, NY, 1999
Duration and Whenever, Angles Gallery, Santa Monica, CA, 1999
A Survey of Interior Imaging from X-ray to MRI, Julie Saul Gallery. 1999.
Interiors, Champion International Corporation, Stamford, CT 1998
A Thin Line,
Bard College, Annadale-on-Hudson, NY, 1998
Figure
and Landscape, Montgomery Glasoe Fine
Art, Minneapolis, MN, 1997
Recent
Acquisitions, San Francisco Museum of
Modern Art, San Francisco, CA, 1996
Photographics, Cleveland Center for Contemporary Art, Cleveland,
OH, 1996
Portraits, 1991-1996, Julie Saul Gallery, New York, NY, 1996
Verisimilitude and the Utility of Doubt, White Columns, NYC, NY 1995.
Blind Spot Photography: The First Four Years, Paolo Baldacci Gallery, NYC, NY 1996
P.L.A.N.: Photography Los Angeles Now, LA County Museum of Art, Los Angeles, CA, 1995
The Joy of Painting, HERE, NYC, NY, 1995
Recent Acquisitions, LA County Museum, Los Angeles, CA, 1995
Megan Fox Gallery, Santa Fe, NM, 1995
Champion International Corporation, Stamford, CT, 1994
Fraenkel Gallery, San Francisco, CA, 1995-94
Serial/Images, Angles Gallery, Santa Monica, CA, 1994
Lousy Fear, Randolph Street Gallery, Chicago, IL 1994
Commodity
Image, International Center of
Photography Midtown, New York, NY, 1993
Vector Portraits, Julie Saul Gallery, New York, NY, 1993
Metropolitan Museum of Art, New York, NY, 1991
MetLife Gallery, New York, NY, 1991
Off the Beaten Track, Security Pacific Bank, Cost Mesa, CA, 1991
Didactics--Aspects
of Photography, Victoria & Albert
Museum, London, UK, 1990
Gardner
Arts Center, University of Sussex, UK, 1990
Recent Acquisitions, Art Institute of Chicago, Chicago, IL, 1989
Art at Pomona College, Claremont, CA, 1988
Rice University Media Center, Austin, TX, 1986
The Parrish Museum, Southampton, NY, 1986
Lieberman & Saul Gallery, New York, NY, 1985
Daniel Wolf Gallery, New York, NY, 1985
Photographs
of Flowers from the Collection of Sam Wagstaff, Detroit
Museum of Art, Detroit, MI, 1985
The Photographers' Gallery, London, UK, 1985
"Color
Photographs - Recent Acquisitions,
Museum Of Modern Art, New York, NY, 1984
Olympus Camera Gallery, London, UK, 1984
Publications and Reviews
Kennedy, Marla Hamburg, Looking at Los Angeles, New York: Metropolis Books, 2005.
Siegel, Katy and Mattick, Paul, Money, London: Thames and Hudson, 2004.
“The Metropolitan Museum of Art – The Collection: Photographs", www.metmuseum.org June 2003.
Bush, Andrew Nest, Final nest: Bonnettstwown Hall, Summer, 2003. Rearview Mirror: Automobile Images and American Identities, (Editor, Kevin Jon Boyle) California Museum of Photography, UC Riverside/CMP, 2000. Loke, Margaret, "Paying Homage to Books (Those With Covers)", The New
York Times, August 1999. Saltz, Jerry, “Andrew Bush” , Time Out, March 26, 1998. Voice
Choices, March 10, 1998. Walcott, Ellison Austen, “Andrew Bush, A Fifteen Year Survey”, March 15, 1998. Loke, Margarett, “Andrew Bush”, The New York Times, March 27, 1998. Blind Spot, Issue 7, 1996. Schwendener, Martha, "Andrew Bush at Julie Saul", Art in America, December, 1996. Hagen, Charles, “Andrew Bush”, The New York Times, December 9, 1994. Grunstein, Raoul, “Ajovaylien Asukkaat”, Image,
November 1995. “Recent
Acquisitions - A Selection: 1993-1994", The Metropolitan Museum of Art
Bulletin, Fall 1994. Hagen, Charles, “The Camera as a Weapon to Assault Modern Ills” , The New York
Times, June 11,1993. Bush, Andrew, Driving Through the Museum, Not To the Museum", The Los Angeles Times, May 10, 1993. “Days of Getting, Spending and Photography, Too”, The New York Times, May 30, 1993. Hagen, Charles, “People in Their Cars, Driving Along”, The New York Times, March 27,1992. “Man at his Best” , Esquire, July 1992 Aletti, Vince, “Photo”, The Village Voice, April 14,1992. “Best Photos in the Metropolitan”, Marie Claire (Japan), September 1992. “Personalien”, Der Spiegel (Germany), April 06, 1992. Front and Back Covers, Publicsfear, Vol. 1, No. 1, 1992. Nilson, Libet, "Art Notebook", Los Angeles Times, March 31,1991. Aletti, Vince, “Summer Selection - Metropolitan Museum” , The Village Voice, July 16,1991, Ill. Russell, John, “There’s Something New Under the Sun at the Met”, The New York Times,July 14, 1991. Lorenzelli, Tiziana, “Los Angeles: Vita Sulle Freeways”, Domus Magazine, October1991. "Reviews: Books", Photo District News, October,1989. "Books", Time Magazine, December 18th, 1989. Publishers Weekly, March 3, 1989. Malcolm, Janet, “Books, Pink Roses” , The New Yorker, June 26, 1989. Bush,
Andrew, Bonnettstown: A House in Ireland, New York: Abrams,1989. Grundberg, Andy, “Critic’s Choice,” The New York
Times, May 25, 1986 LaRouche, Robert, “The Looks, Life of an Irish Manor” , St. Louis Post - Dispatch, June30, 1986. Grainick, Herbert, “Irish Home’s Ambience Captured in Photos” ,St. Louis Globe - Democrat, July 12-13,1986. O’Reilly,The Village Voice“Review”, June 10, 1986. Metropolitan Museum of Art, New York, NY Victoria & Albert Museum, London, UK Bibliotheque Nationale, Paris, FR Los Angeles County Museum of Art, Los Angeles, CA Art Institute of Chicago, Chicago, IL St. Louis Art Museum, St. Louis, MO Yale University Art Gallery, New Haven, CT Museum of Modern Art, New York, NY International Center of Photography, New York, NY George Eastman House, Rochester, NY San Francisco Museum of Modern Art, San Francisco, CA Museum of Fine Arts, Houston, TX 11-13-05Public Collections